“Locus Operandi” Toni Albà

A musician arrives at the stage where the concert is to take place. But the rest of the orchestra—fifty musicians and the sixty-three-voice choir—has not arrived. While waiting for the orchestra, he tries to buy time by entertaining the audience and tells them that until recently he was an impersonator, but that, because of “certain problems,” he is currently forbidden from doing impressions. For this reason, he has decided to devote himself to his secret vocation: opera music.
A vocation he had kept hidden since his youth, that is, two days ago. He wants to leave behind the stressful world of television and impersonations and start from scratch, hoping that very soon he can make a grand entrance into the Gran Teatre del Liceu and, later on, begin international tours of the great opera houses around the world. La Scala in Milan, La Fenice in Venice, and the Paris Opera await him with open arms. He is sure of it…
As he chats with the audience, he will eventually confess that during his career as an impersonator he met very important people, and he takes the opportunity to recount anecdotes, situations, and secrets from the private lives of those he impersonated…
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